Patricia Cole: Intaglio
 
Intaglio (pronounced in-TAL-yo) is a family of printmaking techniques in which the image is incised into a surface, known as the matrix or plate. Normally, copper or zinc plates are used as a surface, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint. Collographs may also be printed as intaglio plates. To print an intaglio plate the surface is covered in thick ink and then rubbed with tarlatan cloth to remove most of the excess. The final smooth wipe is usually done by hand, sometimes with the aid of newspaper, leaving ink only in the incisions. A damp piece of paper is placed on top and the plate and paper are run through a printing press that, through pressure, transfers the ink from the recesses of the plate to the paper.

Etching is also an intaglio process, differing from engraving in that the lines are eaten into the plate by the action of an acid instead of being gouged with a tool. The printing process is as described above.

Normally intaglio techniques can be combined on a plate, and this was in fact extremely common. For example Rembrandt's prints are referred to as "etchings" for convenience, but very often they have engraving and drypoint work as well, and sometimes no actual etching at all.
 

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